She was proud of pleasing them, proud of being a "good girl," proud of her reputation as punctual, professional, and endlessly compliant. In interviews, Connelly has compared herself at that age to a puppet, saying she mimicked the adults around her whenever she didn't know what to do. On Connelly, the Armani schoolgirl outfit looks at once impossibly sophisticated and willfully naive.
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(Jennifer can't lust over movie stars because remember? Her dad's one.) The eagle-logo sweatshirt makes her look golden-winged, stately and angelic, an impression reinforced by the fact that she's lit as if glowing from within. Consisting of an oversized white blouse, long white tie, and full, drop-yoked white skirt, it's clearly meant to evoke a schoolgirl uniform, and it's not much different from the other schoolgirl costumes.īut Connelly stands out from her classmates, who are infatuated with the Bee Gees and Richard Gere.
That happens.) The Armani costumes look predictably sexy on Nicolodi and the chic, bitchy headmistress, but young Jennifer also wears conspicuous Armani, including a sweatshirt embossed on the back with a giant gold eagle (the Armani logo), a pair of signature high-waisted pleated trousers, and an all-white outfit she wears throughout the climactic horror sequence.
It is, in a word, undignified.Īnd Connelly really brings the dignity, even in Phenomena, whether she's driving a beetle to erotic frenzy or eating baby food out of the jar with the end of a toothbrush. (This rumor, while hard to substantiate, is believable actress Daria Nicolodi, who had a daughter with Argento, describes his animal-handling skills as limited to handing Inga a straight razor and inciting a chimp freak-out.) If you were Connelly, this might just be the sort of trauma you wouldn't want to linger on. The story is that Argento urged Connelly to turn the chimp toward the camera during an early scene, Inga retaliated, a hospital reattached the digit, and shooting proceeded as before. Oh, did I forget to mention Inga the chimp? I don't want to spoil Inga's role in Phenomena. That must be it, because every interviewer staring into those limpid gray eyes has to be thinking the exact same thing: "Did a chimp really bite your finger off during the filming of Phenomena?" Jennifer's sleepwalking is mysteriously linked to her nascent psychic connection with insects, which she explores with the help of a wheelchair-bound forensic entomologist played by Donald Pleasence.ĭespite Connelly's willingness to discuss her most humiliating early roles ( Career Opportunities, anyone?), Phenomena comes up so rarely in interviews that it seems likely the topic has been made off-limits. As in Argento's earlier masterpiece Suspiria, girls at the school disappear one by one to an eerie Goblin score (augmented here by Iron Maiden and Motörhead). In Phenomena, Connelly plays Jennifer Corvino, the daughter of a famous American film actor sent to a Swiss boarding school where she is taunted for her sleepwalking disorder by accented mean girls and a sadistic headmistress. She was 15 in Phenomena, her second film, sandwiched between Sergio Leone's gangster epic Once Upon a Time in America and Jim Henson's Labyrinth (the costumes for which, incidentally, made a lasting impression on women my age. Not so! The first was Jennifer Connelly, in the 1985 Dario Argento horror film Phenomena.Ĭonnelly, like Foster, grew up onscreen. Predictably, most of it is men's suiting last year, headlines touted Elysium's Jodie Foster as "the first leading lady to be outfitted by Armani."
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I kicked off this series with speculations about Giorgio Armani's influence on Hellbound: Hellraiser II, but in fact, Armani has done scads of real film costuming since American Gigolo.
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